It is that time once again, when I gather together the music that I have liked over the past year, and give a brief explanation of why I like it.
This year feels like a good year, and that is because most of the albums I’ve included feel like they may just stick around longer than the time it took to get to know them well enough to talk about them. Other of my year-end lists do include entries that never made much impact beyond the listening and inclusion; as much as I thought I liked them at the time, they ultimately made no lasting impression, which is not what I hope for. This year, either the albums are better, or I have made more of an effort to exclude the ones that might be short-lived. Or both. Still, there are a handful at the bottom end of this year’s list that are unlikely to be long-term players, but that do have some good songs, so hopefully I will continue to sample them.
There are fourteen albums here that represent a relatively narrow set of genres compared to other years. There is a fair amount of prog, or at least a fair amount of music from bands with a proggy reputation, which might be a bit of a surprise if you know me. I do not consider myself a fan of modern prog and do not seek it out, mostly because I find the vast majority of it tedious and entirely predictable. However, there are a handful of bands who fall under that (admittedly rather broad) umbrella who can manage to sound fresh, so I can’t write the genre off completely. A few of them released pretty good albums this year. There is some industrial/industrial-related, some post-rock, and straight-up rock. No metal or post-metal this year, and no oddball genres.
In terms of the ranking… I’ve put numbers on them but except for the three or four at the bottom, those numbers don’t mean very much. It’s crowded at the top. There are some clear distinctions among some albums, but there are also places where making a choice is largely arbitrary.
Let’s go.